From Wada's dictionary, 1933
Wada combination 120
Its colours, with the book's names: Pompeian Red · Cameo Pink. The values are the book's; the roles and advice are ours.
Adapted for screen
The same hue as the plate with the lightness moved to where an interface needs it: the background rests, the surface keeps the colour from the book and the accent earns the button. Each role says which colour it comes from and what was done to it. Click any to copy.
On a website
This is your colour with a whole screen to fill.
This paragraph is here so you can see real text on a real background, which is where half of the pretty palettes fall over. If it's hard to read, now you know. And this is a link.
A card
Secondary surfaces use the support colour. If it doesn't separate from the background, the hierarchy is gone.
Measured, before and after
On the plate, the best pair of colours reads at 4.1:1: only good for large text.
On screen, the text #2f2020 on the background #fff1f9 gives 14.2:1: AAA, reads with room to spare. APCA gives Lc 96: good for small text, the kind you read a paragraph of.
The accent #a90636 stands 6.9:1 from the background (a button needs 3:1) and as a link reaches 6.9:1 (a word needs 4.5:1).
How to use it
- Proportion
Distribute, don't equalise: #fff1f9 on 60% of the screen, #e6adcf on 30% (cards, bands, headers) and #a90636 on 10%, only on buttons and links. A colour loses force the more surface it covers; what looks intense on the plate softens at full screen.
- Text
No pair on the plate read as text (the best gave 4.1:1). That is why body text goes in #2f2020, a near-neutral ink tinted with the palette's hue: it is not in the book, and it is needed.
- The button
The accent #a90636 stands 6.9:1 apart from the background: it works as a button, with text in #fdf4f9.
- Temperature
All warm: close and unified, but to make something stand out don't rely on colour, rely on light: the important thing darker or lighter than its surroundings.
- How many
Two colours are a pair, not a brand: add a neutral (an off-white or a grey) to get background, text and accent without straining either.
- In the dictionary
In the dictionary it sits among the tone-on-tone sets: colours from one family. Hierarchy comes from light, not hue, so order elements from lightest to darkest. It is one of the mixed-light ones: it already brings hierarchy. Keep it on screen: lightest at the back, darkest in front.
Goethe's reading
What this combination conveys, and why.
Wada tells you which colours go together. Goethe, a century earlier, explains why a combination means something or means nothing, and what each colour does depending on how much of the screen it takes. His circle has six colours and three oppositions, and every verdict below carries the paragraph it comes from.
The palette crosses both sides of the circle, active and passive. It carries the most tension and most needs one of the two to lead.
- Surface · violet
Goethe puts it bluntly: a large surface of pure violet would be intolerable. It holds up here because the screen adaptation has taken the chroma down. On the plate, at full saturation, it would not.
- Accent and Heading · red
Red is the high point of the active side. In a small patch it does exactly what an accent is for: stopping the eye once.
- Adjacent
Adjacent on the circle, with no colour between them to keep them apart. They are saved by proportion: one has to lead and the other to follow.
The kit for building it
A brand needs four colours; an interface needs a good deal more. This is what you'd otherwise invent by hand once you take four hex codes into the editor.
- 50#f6f6f6
- 100#fee5e5
- 200#ffcacb
- 300#ffa6aa
- 400#fe7a85
- 500#eb5468
- 600#ca3850
- 700#a90636
- 800#7d152b
- 900#58071a
- 50#f8f6f6
- 100#eeeaea
- 200#dcd6d6
- 300#c5bcbc
- 400#aca1a1
- 500#928686
- 600#796d6d
- 700#5f5555
- 800#463e3e
- 900#2f2829
- Normal
- Hover
- Pressed
- Disabled
- Focus
- Success
- Warning
- Error
- Info
The same colour, at night.
The background isn't pure black: it carries a little of your hue. That's what separates a designed dark mode from one that looks like a fault.
A button/* Wada combination 120 — bluenze.com/paletas */
:root {
--fondo: #fff1f9;
--superficie: #e6adcf;
--texto: #2f2020;
--tinta: #2f2020;
--texto-suave: #755e5e;
--titular: #a90636;
--acento: #a90636;
--acento-texto: #fdf4f9;
--enlace: #a90636;
--borde: #e4cbd9;
/* la lámina de Wada, tal cual */
--lamina-1: #a90636;
--lamina-2: #e6adcf;
--acento-50: #f6f6f6;
--acento-100: #fee5e5;
--acento-200: #ffcacb;
--acento-300: #ffa6aa;
--acento-400: #fe7a85;
--acento-500: #eb5468;
--acento-600: #ca3850;
--acento-700: #a90636;
--acento-800: #7d152b;
--acento-900: #58071a;
--neutro-50: #f8f6f6;
--neutro-100: #eeeaea;
--neutro-200: #dcd6d6;
--neutro-300: #c5bcbc;
--neutro-400: #aca1a1;
--neutro-500: #928686;
--neutro-600: #796d6d;
--neutro-700: #5f5555;
--neutro-800: #463e3e;
--neutro-900: #2f2829;
--boton: #a90636;
--boton-encima: #8c002a;
--boton-pulsado: #6c0620;
--boton-apagado: #a88f8f;
--foco: #a70e37;
--exito: #0c7f21;
--aviso: #a38a0c;
--error: #c0412e;
--info: #0d70b9;
}
@media (prefers-color-scheme: dark) {
:root {
--fondo: #2e1d1e;
--superficie: #3e2829;
--borde: #5a4041;
--texto: #f9ebeb;
--tinta: #f9ebeb;
--texto-suave: #bdadad;
--acento: #fb6274;
--acento-texto: #2f2020;
}
}